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Lot 170

Elizabeth O'Neill Verner Pastel Drawing, Standing Charleston SC Flower Seller

Estimate: $3,400 - $3,600
Starting Bid
$1,700

Bid Increments

Price Bid Increment
$0 $10
$100 $25
$500 $50
$1,000 $100
$3,000 $200
$5,000 $500
$10,000 $1,000
$20,000 $2,000
$50,000 $5,000
$100,000 $10,000

Elizabeth Quale O’Neill Verner (South Carolina, 1883-1979) pastel on card drawing depicting a Charleston, South Carolina flower vendor who stands in profile view with a large basket of colorful flowers on her head. She places her left hand on her hip and wears a vibrant blue blouse, white apron, and white headscarf. Signed "E.O.N. Verner,” lower right. Housed in a beveled oak frame. Sheet: 17 3/4 in. H x 12 3/4 in. W. Framed: 20 3/4 in. H x 15 3/4 in. W. Biography: “A native of Charleston, Elizabeth O’Neill Verner was an artist, teacher, and preservationist who became one of South Carolina’s best known practitioners of the early twentieth century. Pastels and printmaking were her preferred media, and her images of residences, churches, and street scenes were widely recognized for their skill and authenticity, and for capturing the romantic sensibility of Charleston. She began her art training under the guidance of Alice Ravenel Huger Smith and then continued at the Pennsylvania Academy of the Fine Arts in Philadelphia, beginning in 1901 for two years with noted instructor Thomas Anshutz. Following her time at the academy, she taught art in Aiken, South Carolina, before returning to Charleston. In 1907, she met and married E. Pettigrew Verner and raised their two children. She resumed her studies with Smith and turned her attention to depictions of her hometown, which she infused with the charm and local color that distinguishes Charleston. In landscapes and cityscapes, Verner often focused on the architecture and environment while deemphasizing any human presence. She eventually expanded her range to become an able portraitist and figurative painter.” (Source: The Johnson Collection.)

Condition

Overall very good condition. Card has been laid to artist board. With white discoloration to upper left corner, primarily or entirely outside of image, and evening toning to card. Frame with loose upper left and lower right corners. 

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